Daniel Molloy

New entrantKurikara Fudo Tattoo · Perth, Australia

@danmolloytattooer

At a glance

StudioKurikara Fudo Tattoo

BasedPerth, Australia

2025 titleNot ranked

2026 titleGRAPHICA, Global Top 100

Styles

Traditional Japanese

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Inspector's citation · 2026

Bold, clean and beautifully composed, Daniel Molloy's traditional Japanese tattooing shows an exceptional understanding of body flow and large-scale composition. His bodysuits combine deeply saturated blacks, rich colour and powerful backgrounds that unify every element without overwhelming the design. Crisp, confident linework gives the work clarity, and his command of traditional motifs brings natural harmony across the body. Every piece reflects technical mastery and a commitment to tattoos built to last a lifetime.

Back to the Global Top 100

Also in GRAPHICA · alphabetical

PreviousCoen MitchellZevenaar NextWaler MonteroNew York City and Buenos Aires

Certified GRAPHICA

Global Top 100 · 2026

Mat BaxterCo-Founder

Mikael RämgårdCo-Founder

Editorial note on the SKINGRAPHICA® Global Top 100

The SKINGRAPHICA® Global Top 100 Tattoo Artists is an independent editorial recognition of the world's most technically accomplished tattoo artists. Selection rests on mastery, consistency and artistic execution. It does not rest on popularity, social following or commercial influence.

Artists recognised within the Global Top 100 are designated GRAPHICA, the tier directly below Black Ivy within the SKINGRAPHICA® rankings framework. SKINGRAPHICA® does not publish numerical rankings within the Top 100. Artists are listed alphabetically and recognised as peers.

Every effort is made to keep each artist's studio, city, styles and links current. Details change, and no guarantee of accuracy at any given moment is given. Corrections from artists and studios are welcomed through the Request an update link on each profile. Every correction is verified by a reply to a direct message from SKINGRAPHICA® to the artist's verified Instagram account before it is published.

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